(c. 1607, Gorinchem - 1 June 1681, Rotterdam) was a Dutch Golden Age painter He was born into a family of artists, and learned to paint from his father Herman, along with his brothers Abraham and Herman Saftleven the Younger. He lived for a time in Utrecht with his brother. Saftleven's subject matter covered various subjects, including genre works, portraits, beach scenes, and biblical and mythological themes. Some consider his images of Hell to be his most individual contribution to Dutch painting   Related Paintings of Cornelis Saftleven :. | Self-portrait | The egg dance | The Temptation of St Anthony | Self ortrait | A Witches' Sabbath |
Related Artists:
Franqois Balthazar Solvyns
1760-1824
Moore, Albert Joseph
English Classicist Painter, 1841-1893 He showed precocious artistic talent as a child and entered the Royal Academy Schools in London in 1858. His early work shows a Pre-Raphaelite influence common to his generation. The watercolour Study of an Ash Trunk (1857; Oxford, Ashmolean) is very Ruskinian in its precise handling of naturalistic detail. Moore made two visits abroad: in 1859 to France with the architect William Eden Nesfield and in the winter of 1862-3 to Rome with his brother John Collingham Moore. Elijah's Sacrifice (1863; exh. RA 1865; Bury St Edmunds, A.G.), one of Moore's earliest large-scale oil paintings, was executed while he was in Rome. Its biblical subject and sombre tone are typical of his output in the early 1860s and relate to the work of Ford Madox Brown and Edward Armitage.
Jan van Hemessen
(c. 1500 - c. 1566) was a Flemish Northern Renaissance painter. He was born in Hemiksem, then called Hemessen or Heymissen. Following studies in Italy, in 1524 he settled in Antwerp. A mannerist, his images focused on human failings such as greed and vanity. Like his daughter, Catarina van Hemessen,he specialised in painted portraits. Jan Sanders van Hemessen was a Flemish Northern Renaissance painter who was part of the mannerist movement. He was born in Hemessen in the Netherlands but settled in Antwerp in 1524 after studying in Italy. Hemessen specialized in scenes of human character flaws such as vanity and greed. His pictures are often religious, while his style helped found the Flemish traditions of genre painting. Hemessen was also a portrait painter, which influenced his daughter to become a Flemish Northern Renaissance painter as well. The Surgeon of 1555 is an oil painting by Jan Sanders Van Hemessen currently in the Museo del Prado in Madrid, Spain. The scene likely represents a stonecutter at a fair. The surgeon, who is clearly happy that his operations have been successful, painstakingly moves his knife towards the stone, which is already visible. Behind him hang stones which have been successfully cut out of the head of other patients as a sign of his skill. Next to the quack stands a man who is wringing his hands in desperation, clearly going to be the next patient under the scalpel.